In recent years, Iranian cinema has often been associated with Italian neorealism with its evocative, non-professional actors and direct representations of everyday life. But Behrooz Afkhami’s new film, The River’s End (Gavkhouni), suggests a much more European and formally adventurous mold that merges dreams and reality in a compelling meditation on the grieving process. [...]
The River’s End
February 19th, 2005 by Doug Cummings · No Comments
Categories: Film review